2011/12/30

  Being and Doing: A Sex Story

by Stephen Kemp

Emily stirred the kettle.  She was thinking about how much she loved to cook this soup, one of her favorite recipes, how it goes in circles.

Yesterday the broth was there in the bottom of the pot -- now it would start this day's soup.  She threw in the barley, stirred it swirling into more circles and left it to simmer, while she chopped the carrots and potatoes and celery. 

"How's it going, honey?"  Peter asked from the doorway as he peered in at her, "Something is starting to smell pretty good. What are you making?"

"Oh, it's just some chicken soup.  Same old thing, you know," she smiled to herself, "Nothing special."

Peter was so predictable.  He usually poked his head into the kitchen when the cooking smells got his attention. 

Peter privately marveled at her skill in the kitchen.  Someone had once commented, he recalled, that of all the ways there are for people to be creative, cooking was the highest form.  It engages the most senses -- the way it sounds when it's boiling, or boiling over, the way it smells from moment to moment as it cooks, whether or not it looks done, or feels done when you plunge a fork into it.  And of course the ultimate result: how it tastes. 

Add to this the timing of the whole process, Peter thought, for Peter was a scientist, and you have to realize it is actually applied organic chemistry, but with an elaborate creative flavor.

"My, dear," he smiled at her, "You are truly an artist in the kitchen."

She looked up from the cutting board at him.  "Okay.  What are you
after?"

She waited, suspicious, mildly amused.

"Well, nothing…" He loved that expectant look, the intensity of her when she was busy working in the kitchen, and now the twinkle in her eye.  "I'm just admiring the way you glow when you're cooking."

"Oh, come on.  What's going on?"

"You're very sexy, there, chopping."

"Oh, that," she laughed, recalling their lovemaking this morning -- very good and warm and satisfying.  She smiled and returned to her chopping,

"Well, there is something," he finally admitted, "Jesse just asked me where babies come from."

"Oh?" she continued chopping.

"Um, I guess I'm wondering what to do," he sounded hopeful.

"So, just tell him," she looked up at him, playfully.

"Sure.  Just tell him.  Right."  He frowned.  Jesse was six, but he was a precocious and very curious kid.  And he loves the girls.   "Emily, honey, I never had to do this before.  I don't know how to do this.  Can't you take care of it?" 

"Oh, stop your whining," she laughed, "I've never done it before either, you know, and I am pretty busy right now.  Why don’t you just take a whack at it."  She gave one loud chop, just for the fun of it.

Jesse bounced into the kitchen and plopped down at the table.  "Hi, Mom.
Whatcha making?"

"I'm making chicken soup, honey," she replied without looking up.

"Where do babies come from, Mom?"

"Your dad was just going to tell you about that."  She smiled again to herself, happy to have everyone in the kitchen amusing her here while she worked.

Peter sighed, and sat down at the table across from Jesse, who wriggled in his seat, trying to get comfortable.

"Okay, Jesse," Peter said,  "It all started a long, long time ago."  He paused, thinking.  "Back in the time before people lived in houses, a way long time ago…."

"Yup." Jesse said, helpfully, swinging his legs back and forth expectantly.

"Well, it's pretty hard to live when you don’t have a house."

"Yeah." Jesse was still listening, but now he was peering through the screen door at Sam the dog, sniffing around the tree, there, outside.

"So when it's that hard to live, everybody has to help out, just like when we camp."  This got Jesse's full attention again -- he liked to camp out.

Peter went on, "And the men's job was to go out and hunt and get things to eat.  They were hunters and they got the meat.  Now, the women's job was to take care of the camp while the men hunted."

Jesse lit up, "So everybody was camping all the time?"

"Yup, everybody camped.  So the women kept the camp, and one of their most important jobs was to gather things."

"Yeah, like gather the firewood, right Dad?"

"Yes.  The wood for the fire, berries to eat, and nuts and roots and vegetables, or any sort of food that they could find to gather up to eat."

Jesse waited, taking this all in, still with legs swinging slowly.  Peter continued.

"And while the women were waiting at the camp and gathering stuff, the men would be out running around hunting."

"Were there babies, too, Dad?"

"Yes, Jesse, we're getting to that part."  Peter was starting to sound nervous.

"Whenever the women were busy together, they kept each other company.
 They would watch and listen and talk to each other and tell each other where they had gone and what they had seen from day to day."

Emily was listening to all this.  She stopped chopping the celery for a moment, and looked up to see a squirming Jesse getting very restless.

"And what about the babies?" she chimed in.  Peter coughed, and peered up at her for a moment.  She smiled at him and winked.  She gave Jesse a carrot to chew on.

 Peter groped for words.

"Yes, the babies were there, too, at the camp.  And the moms watched them and took care of them.  That was the moms' other main job." 

Emily just shook her head, amazed and amused.

"But, where did they come from, Dad?" Jesse pressed.

"We're getting to that, but it's a long story."

Jesse squirmed, "I gotta pee."

"Go ahead, honey," Emily said, without looking up, "But be sure you put the seat up, you know."

"Okay, Mom," Jesse ran for the bathroom.

"Whew," Peter sighed, "This is tough."

Emily chuckled and teased, "At this rate, we'll be grandparents before the poor kid ever gets to the birds and the bees!"

"I am just trying to give him the big picture before I plunge into the details."  Peter explained, though it sounded even to him like an excuse.

He did know where he wanted to go with this -- he had just not quite figured out the route yet.

Jesse ran back into the kitchen, "Hey, Mom, I'm going to go play with Sam," and with that he was out the door, slamming it behind him.

Peter watched Emily pick up the cutting board and turn, dumping the vegetables into the simmering soup.  She turned around to look back at him, "I guess you're off the hook, buddy."

"You’re a fine woman, you sweet thing," Peter cooed, "But you sure can be heartless."

"No, Pete, don’t get me wrong.  I was just so curious about what you would say.  I had to hear it.  And now I am even more curious.  What the heck were you driving at, anyway?  Where do babies come from?" she laughed, and bumped him playfully with her hip on her way to the fridge.

Peter loved her dearly.  She understood him so well, he knew, and yet she often seemed surprised by him.  He found this mystifying -- and fascinating.

"Well, I wasn't entirely sure.  I guess I need to think about it a little more.  But I figured he'd eventually get bored and go out to play."  Peter reflected, remembering a conversation with his father when he was a teenager.

Dad had said, "Women are, but men do.  You have to understand that difference. Men are forever building, or discovering or measuring or analyzing -- they like fast cars, big trucks -- they are competitors, they want to win."

"Women, on the other hand, are largely more interested in how things are going, or how they are going to be -- they care about feelings, and their children and their friends, and their homes and their things, their security -- they want peace."

Peter remembered asking Dad, "So why do I have to give them flowers?"   He could see his father saying, "There is no explaining why a man is supposed to gather sexual organs of beings from a different kingdom and then give them to the girls," for Dad was a scientist too, "But one thing is for sure: it pleases the girls, and they like the feeling.  That's the only thing you have to know -- the feeling.  And once you can understand that, then you'll have some hope of understanding women.  Well, at least sometimes.  That is the being part of it, right there, in the feelings."

Peter got up to move behind Emily, then with one hand stroked the nape of her neck. "So, now I have you all to myself…."  He slid his other hand around her waist and whispered, "I'm hunting, hunting…"

She shivered and grabbed his hand, pressing it to her stomach.  "Yes, but I am trying to gather my wits about me," she kissed his cheek, "But you have to let me go, I've got this soup going!"  He kissed her neck lightly before she wriggled away.

He sat back down at the table and continued, "When I was seventeen or so, I asked my father to explain to me about women.  He went on at some length on the subject, and by the time he was done, I understood women a lot better."

"Really? What did he tell you?"

"Well, like I was saying, women are the gatherers and men are the hunters.  That is our nature.  Men are the seekers, women are the keepers. 

"So, men are forever in action, looking for things to do, looking for new toys, new tools, so they can find ever more things to do.  They go through life doing this, doing that, looking for every opportunity.  They build things, they blow things up. 

He continued, "But women are reflective, more interested in ways to be, how things feel, how they smell, how they look, how they taste. They know where their kids are.  They network." 

She turned around, smiling at him again, "So if men are the doers, how is it I am the one making the soup?"

He thought about that for a while, "Well, of course nothing is ever that black and white.  But if you think about it – generally, women are more aware and men are more focused."

"Maybe," Emily smiled, not necessarily convinced, "So?"

"Well, I guess what I am trying to say is that the sexes are different that way." 

At exactly this instant, she felt a little flutter that distracted her for a moment.  She moved closer to kiss Peter on the forehead, and blushed for a hot moment.  Then she turned to continue making dinner.  “Pete, why don't you go take a nap?  The soup'll be awhile anyway.” 

Peter smiled, happy and confident that Emily really did understand him so well, and headed to the couch for a nap.  He started to dream almost immediately.
2
Six thousand years ago

The woman was dawdling near the path.  The sun was out, shining brightly down on the group as they made their way to the high plains to hunt the woolly mammoths.  Up the trail ahead, the men led, spears in hand, with some of the older kids trailing close behind, lugging weapons and skins.

Whenever the band was trekking like this, she tried to find time to do a little exploring, always on the lookout for anything new -- anything that might be edible or useful.

She had spotted a purple flower she recognized.  As she sniffed it, her memory turned to last spring, when her man had given her such a flower after he returned from one of the hunts.  He said he liked the way it smelled, and nobody had seen such a flower before, so it made a good gift.

Now she sniffed this one approvingly, then pinched  off a leaf with her fingernails and smelled it, too --  a strong, spicy aroma.  The roots were too bitter and not very interesting, but she could see it would have some kind of berry, though nothing that looked ripe, yet.  She would remember this plant when summer came, and seek it out again to taste the berries.

She plucked two flowers, carefully put them in her hair, one over each ear, and returned to the path, where the oldest boys and girls were bringing up the rear.  She spotted her little sister, Lah, who was just in her twelfth year, and walked along beside her for a while amidst the chattering pack of teenagers.

She held out one of the flowers for Lah to smell, and then confided, "I think it will have good berries," as she placed it over Lah's ear, "We will go find it again when summer comes." 

Lah smiled at her and hugged her arm, then turned to gaze at her favorite young man so he could admire her face and this exotic flower.  He glanced at her, but right now he was showing the other boys how far he could throw rocks.  But finally he did look at her and smiled, moving closer trying to sniff the flower over her ear.  She pushed him away demurely.  He was too late.  She had no time for him, now.

Peter rolled over and the dream ended.  Another started after a few moments.
3
Sperm

Until a few hours ago, Zoa had only been one day old, surrounded by a teeming mass of other spermatozoa, all struggling, in motion, ready, willing, but captive in their great pressing anticipation to get out, to make room for the newest sperms always arriving.

But now, Zoa was alone for the first time, well beyond the others striving to get ahead, to keep moving, to be first to find the sweet thing.  There was no consciousness here except the focused will to seek the thing out, and the certainty of wanting it, needing, having to be the first.  And doing it soon.  The sweet thing was all that was missing.

Hereabouts, the surroundings were different, warmer, and the color was darker.  Zoa was a stranger here, but was energized by a sense of a different chemistry in this strange place, a welcoming sensation, a smell beckoning from afar, where the sweet thing was waiting and ready.

Zoa thrust and thrust and thrust again, seeking, vigilant, unrelenting, purposeful, focused solely on reaching the sweet distant thing that was now slowly growing ever closer, ever richer, ever more alluring, compelling.

And this was the single chance to be first, to deliver the magic fluttering touch.

To win.
4
Egg

The ovum knew no other, only the smell of the oneness of life.  It knew no space, no motion, only the waiting.

For many years it had been set aside here, still, kept in waiting, vaguely sensing a regular tidal flow of smells, and sensations, diffusely aware of occasional feelings pressed upon it.  It was somehow rooted, yet suspenseful, expectant, ready.

Then finally, to it came a whiff of the quickening and suddenly it was loose, had motion, tumbling slowly as a way opened to it, toward a larger place where the smell was ripe, somehow, with potential, with safety, with comfort.  With expectation.  The feeling was good.  It tumbled into a place to settle, and there, clinging at the shore of this gentle, surging sea, it was now awaiting an arrival of something from somewhere beyond its conception. 

So, now will be the time, and here is the place.  All is ready, well prepared.   It waits in stillness, receptive, fecund.  It is good.

Finally, just the right flutter at just the right time -- at this very instant a little tickle tugs at it, in this perfect place. 

Suddenly.  Life comes forth -- one madly dashing cell of spermatozoa does finally penetrate this ripe ovum waiting here,  They become one another, merge and dance, multiplying in geometric precision.  The doing becomes, and the being does quicken -- where quiet nothing was before, now everything is moving.

5
Dinner

Peter, still dreaming, heard his father say, "Women like it circular.  Men like to go straight in,"  and woke up with a start.  He smelled food.

Emily had moved on, preparing the main course, and now had called Peter to get up for dinner.  The three of them sat eating at the table.  Jesse was wiggling, as usual.

"Jesse, this is pretty good food, huh?" Peter prompted, "Mom's a real good cook, isn't she?"

"Yeah," Jesse grunted, too busy to add anything else, stuffing another spoonful of food into his mouth.  He ate with great gusto.

"Save some room for the strawberries, honey," Emily said.

Jesse looked up and beamed.  He loved strawberries.  "Can I have some now, Mom?"  He started wiggling again, in anticipation.

"Well, okay, I guess so… it looks like you ate it all up," she smiled, "You're a good eater.  You're a good boy."  Jessie beamed.

They ate berries in cream with a little sugar.  Jesse was taking his sweet time to finish while Peter sipped his coffee, now refreshed from his nap and openly feasting his eyes all over Emily as she cleaned the table around them.

Finally, Emily stopped moving for a second and then sat down, heaving a sigh at having a chance to take a little break, and happy that Peter was being so flirty.  She watched Jesse eating the strawberries, so slowly, so deliberately.  He was such a funny little guy.  She understood him so well, yet he was always surprising her.  She felt a wave of love wash over her.  "I sure love my Jesse," she tousled his hair and he beamed again, now done with the last berry, fidgeting, ready to go play some more.

"Honey," she looked at him, "You were asking where babies come from?"

He nodded.

Emily glanced at Peter, smiling while she answered, "Well, Jesse, babies come from moms, when they're good and ready."
"Okay, Mom," Jesse agreed, "Can I go out now?"

Emily's answer stunned Peter for a second, but then he quickly recovered to answer Jesse, "Yeah, sure, Jesse.  Go find Sam the dog and throw the Frisbee for him.  Here you go."  He reached to the shelf and tossed the frisbee to the boy.  Jesse just caught the Frisbee and was out the back door like a flash. 

Now, Peter thought, there was time.  He was growing more interested in Emily by the moment.  Their eyes locked.

She knew just what he wanted to do.  He knew just how good she would be.


                      20050110
 


2011/11/17


Working For Adventure

 Summer, 1963 -- My friends Sean and Stan and I had just completed our first year of college.  I knew a girl in Hollywood, Stan had a car, and Sean just came along for the ride.  We would go look for summer jobs in L.A. But what we really wanted was... adventure!
    After two days of checking out ads in the Times, we succeeded -- sort of -- in a hardware factory: Voi-Shan Industries.  But after another two days of standing there with little magnetic wands and kicking a pedal to stamp a little "vs" on each of 5000 tiny rivets -- one at a time -- we moved on.
    Now, this girl I knew had a mom who knew a guy who was a regional boss at the L.A. Standard Oil facility.  He lined us up with jobs as gas station attendants at Standard Oil company-owned stations in Hollywood -- we would be "pump jockeys."
    The three of us agreed that now we were really getting somewhere.  Standard Oil gave us physical exams, sent us to school for a week, where we learned proper regimented behavior, service protocols and paperwork, joined the compulsory "company union" -- and gained some knowledge of techniques used by short-change artists, which was cool.
      The uniform, with the silly little white hat we had to wear every single minute on the job, was definitely not cool. 
    We were placed in three different stations in downtown Hollywood.  I went to the one at Sunset Blvd. and Wilcox, the biggest gas station in town, with 24 pumps. 

    Our clientele this summer is mostly hordes of cars full of families, all rubbernecking tourists.  Management orders us not only to clean the windshields, as is customary for all gas stations these days, but also to swipe unto sparkling every single window surface of every car we serve, so the swarms of sightseers can stretch and strain, shouting to share every sighting of some simpering star or starlet's salacious smile.  Standard Oil is pushing service very hard in TV ads, so management is deadly serious.  This soon gets old for we who wield the squeegees, but the tourists are grateful, especially the kids gawking there in the back seat. 
    On my third day, a big guy rides in on a little tiny scooter, no longer than his leg, of a style I've never seen before, its tiny tires bulging flat under his weight: he just needs to get air!  I recognize the man himself right away.  He is a bit-part character actor from probably twenty movies I've seen.  Someone says his name is John Doucette.  He's the first of dozens of such unnamed people I eventually run into in Hollywood.


John Doucette

    I got a large dose of American popular culture during my nine-month stint at Sunset and Wilcox.
    We three pump jockeys rented an apartment together and could actually afford the rent and still have money left over to stay up all night and wander around Hollywood soaking up the 24 hour a day life-style: all-night movies, the Hollywood Ranch market with a deli that never closes, people on the streets till all hours.  But, aside from my new girlfriend in my private bedroom, of course, working at the station was where I found most of my adventure.

    One night a car full of pushy fat girls drives in, parks sideways across the pump lanes, blocking any other access, and immediately starts yelling for me to give them service.  I walk up to the driver's window, whereupon the sullen woman sitting there gives me a quarter and commands me to go get her some cigarettes from the machine.  Her accomplices sit there inside smirking at me in my plight.  Standard's TV ads are trumpeting that the customer comes first;  maybe they are thinking it would be fun to use me to try the limits of that claim.  Though no one else ever so imperiously makes such a request, I bite my tongue, pad subserviently to the cigarette machine, and  return to offer her the pack, in her stony silence.  Without a word, never meeting my eye, she snatches it from my hand, starts to roll the window up as they drive away laughing.

    I think I was more mystified than offended about why a person would choose to be so rude to a complete stranger.  I was starting to learn about Hollywood.  Later, the other guys would chuckle about me and the "excellent way I serviced that car full of butches".  But until later I had no clue of what they were actually talking about.
    Then there was John Abbott.  One week I went on loan to a different station over on Melrose.  The clientele consisted less of tourists and more of the Hollywood locals.  I didn't know it until later, but the guys I was going to be working with knew all about John Abbott. 

    So here I am, standing around waiting for a customer, and this old Jaguar sedan pulls in.  Now nobody else is going to go attend to this guy --  they all just sort of turn their backs and start talking amongst themselves -- leaving the task to me.  No problem.
    I walk up to the open window and recognize him instantly, because he is a very well known character actor since the 30s, and still winning roles in movies -- roles of executioner, undertaker, butler, or king. He is a veteran of over a hundred movies by this time: long, tall, thin, and veddy, veddy English.  I try to maintain my decorum.  I don't bat an eye.
    He asks for five dollars worth of gas, and then gets out of the Jag and stands back to observe.  I get the gas going and start to clean the windshield.  From behind me I hear him ask, "Excuse me, young man, but would you be so kind as to change the air in my tyres?"
    I think to myself that this is the dumbest request I ever heard.  But dutifully, I comply.  I move to each tyre in turn -- pssssssst as I empty it, and phhhht, phhhhhhht as I refill it.  He follows me from tyre to tyre, standing back, watching me.  Finally I finish up with the gas and collect the money, half-expecting a tip, which is not forthcoming.  He just smiles at me, pays me, hops back in the Jag, and promptly takes his leave.
    I turn around to face the local crew, still standing gathered together there, only now thay're all looking at me, grinning.  I walk over to the group to ask who is that guy, and what is it with the changing air in the tires? 
    The laugh goes up.  "That's John Abbott," someone finally fills me in, "He always asks for that -- I think he just likes to stand behind young men and watch them on their knees while their backs are turned!"   Then someone else says, "Nah, I asked him, and he said he just likes to listen!" which is met with a chorus of guffaws.
John Abbott
    Another time, back at the Wilcox station, I walked up to a big shiny brand new Lincoln Town Car to ask the driver what he needed.  Now I do know this guy's name: Andy Williams, a singer, very famous, with a TV show of his own.  Little tiny guy, big smile, red eyes.
    He requests a fill-up, and while the tank is filling, I ask him, "Check the oil?"  He looks at me and hesitates, speechless, finally just nodding at me.   I pop the hood and check the oil, then return to his open window.
      "It's down a quart," I say. 
    "What's that mean?" he says, quizzically.
    "Well, you're low on oil." I reply.
    He looks at me like I am the man from Mars or something.  "Is that bad?" he asks.
    I nod.
    "Well, um, uh, what should I do?" he wants to know.
    I offer to put a quart in, to which he readily agrees, then he pays me and drives out like a flash.

    I did puzzle over that for a long time, because he simply was not acting completely normal, though he did not behave or smell like he was drunk.  Only a few years later, after I joined Hippiedom, did I come to understand what he had probably been doing before I met him that night, red eyes and all:  ah, Hollywood.
Andy Williams
    That Christmas, my girlfriend had splurged and bought me a gift that bowled me over, because I had never seen its like before, and it was so cool: a palm-sized portable Sony AM-FM radio, the smallest ever yet made, and the first to come out with transistors.  I loved it. 

    This holiday season I'm scheduled to work graveyard shift the midnight to 8 AM shift for one week.  The graveyard shift is pretty lonely, even in Hollywood, so I figure I'll listen to my new radio here in my solitude.  Then, on the third night, long about 3 AM, the station phone rings.
    "Standard Stations. May I help you?"
    "I can hear your music," some guy replies, "And it sounds real good.  What's your name?" he asks.  I tell him.
    "Well," he begins, "I saw you earlier, and I think you are really a handsome guy.  Would you like me to come and keep you company on such a lonely night?"
    I pause.  Then I think of John Abbott.... "Um, no, thanks, I am not allowed to visit while I am working."  The phone is silent.  I start to hear the sound of heavy breathing, so I just hang up.  Then, there in my naivete, I think to myself, "Here I am, a GUY, getting an obscene phone call.  I bet that's never happened before."  Right.
    One afternoon a week or so later, I'm sitting at a stoplight on the Strip waiting for the light to change.  I've outfitted my old Pontiac with a floor shift, but I am only a poseur -- that car is a ten year old tank, but it does okay as a fake hot car. 
    So, up next to me pulls a brand new Ferrari, very hot and sporty, not uncommon to see here, but I can't let it go, because who do I see at the wheel?  Ernest Borgnine, who is an Oscar winner, now on TV playing McHale of "McHale's Navy."
   Well, I can't let this opportunity pass: I gun the engine a couple of times, and peer over at him through my window.  He turns his head slowly over to look at me and smiles his famous wicked grin.
    The light turns green and we are off... er, well, HE is off.  But even though my Pontiac is floor-boarded, it just sort of groans and roars and lumbers, waddling along behind, while the Ferrari shrieks on ahead of me, dwindling in my sight until it vanishes from view. I don't care.  I have a story to tell. I laugh. And Ernest enjoyed it.
 Ernest Borgnine
    Now, I always hated that damned silly little white hat we all had to wear, and would never be caught dead wearing it -- unless I had to because I was at work.
    One Saturday night on Sunset Boulevard I was driving home from work and needed to stop for cigarettes. I pulled into the next Standard Station and jumped out to buy a pack from the machine.

    So I get the smokes and look around. This station is hopping, a car at every pump, and now with even more cars lining up behind them. I spot James Garner.

        He's been parked, waiting at a pump for awhile, and now he's getting out of his new white Caddy convertible, and he's starting to look cranky. He looks around and says, "What's going on around here?" to no one in particular.
        Then he spots me in my Standard uniform, so he looks at me and says "I would sure expect better service than this from you Standard Station guys."
    But I'm game, and I say, "Fill her up?"
    "Five dollars worth," he says.
    I pump his gas while I wash the windshield. It turns out he is in a big hurry, he gives me the five bucks, says thanks, and guns that Caddy out of there.
    So now I have to go find whoever's running the station's till. I've never seen the guy before, and when I start to hand him the money, he just looks at me: I don't work here, he doesn't know me from Adam, and I'm not wearing a white hat.  He finally looks at my Standard uniform, gives me a funny look and just takes the money.
    I love this thing of being the poseur -- the only one who actually knows what all the players are doing.
 James Garner
    Now, though I thought Garner's remarks about Standard Station service were pretty corny, to me he did come off as the kind of man who has a strong character, is used to the best, and who appeals to the best in others: an Oklahoma gentleman. His demeanor reminded me of Marine Corps drill instructors.
    As I recall, the dominant feeling I had that night was... defiance. I was on my own time, a civilian kid making one guerilla transaction, with no oversight, no permission, and no damned little white hat, for my own small pleasure of being able to assist this man, to take the measure of him, and give a little payback for all his good work. He never had a clue, and everyone came away happy.
    But the best story I got from Hollywood happened one quiet night at the station.  I was working swing shift, and my friend Stan had just gotten off his shift down at the Gower station.

    So he stops by to show off his new guitar, sitting in the office while he plays and we sing some folk songs. Then, in drives this normal-looking guy in an old Chevy, who pulls right up to the office because he's not interested in getting gas: he was driving by and he spotted Stan playing the guitar. 
    Stan is already pretty good on guitar and knows quite a few songs.  The guy just stands at the door, leaning against it, listening to Stan play.  We invite him to come sit with us in the office where it's warm. 
    "My name is Roger," he tells us.  He admires Stan's guitar and starts describing the one he has at home.  Stan offers his guitar.  Roger smiles and starts to entertain the two of us for the next half-hour.
    These days, he tells us, he writes his own songs.  His lyrics are funny, wry, clever.  He asks us to please listen to a couple of tunes he is writing.  The first one is named "Dang Me (They Oughtta Take a Rope And Hang Me)."  He has another unfinished one; it is titled "King Of The Road".  He's eager to hear what we think of his stuff.  We love it.

      We only learned his last name a year later, after his songs started playing on the radio.  Today, you can hear his music in movies such as "Brokeback Mountain" and "Into the Wild".  His name was Roger Miller.
Roger Miller
    I heard a few stories about other celebrities. It was said that Johnny Mathis hung out at the Hollywood YMCA, lusting after the boys there at night. Somebody else recounted that one night up on Mulholland Drive they were sitting in a car smoking pot, and someone walked up to the car and said, "Is that marijuana I smell? What's chances of smoking a little of it?" They obliged. It was Robert Mitchum -- who was later the subject of a scandal about smoking weed.

    I was truly going through some kind of rite of passage at this time, and being tested fairly often and discovering my limits by events unfolding around me, and being thrown into unfamiliar situations, sometimes by chance, sometimes by my own behavior.

I could go on and on about the stolen credit card scam, or the bright red purplish-veined besotted naked faces of Dana Andrews or Macdonald Carey;  or the time I caught the station manager trying to steal gas from me at four in the morning; or the Hungarian named Tibor, and the German, Dick, that I worked with while they were waiting to get acting auditions, in their own quests for their own adventures as actors; or even the Pacific Cinerama Dome Green Stamps scam. And then I might mention the fact that my friend Sean eventually turned out to be gay -- or that at the end of that nine months, my girlfriend wound up pregnant.
    But these stories are all for another day.